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Lanterns Broke John Stewart’s Comic Canon. And It Worked.

After admitting comic-book nerds had a point, HBO Max immediately rewrote John Stewart’s origin, started laughing at its own mythology and made Lanterns a much better show.

Lanterns promotional still
Lanterns promotional still.

Credit: TMDB / promotional artwork
Promotional artwork
themoviedb.org

Last week I stayed quiet about the third episode of Lanterns for a very good reason.

Compassion.

It turns out that I am a deeply empathetic individual, and I felt that the comic-book community had already suffered enough.

A few days earlier, I had written a piece about Lanterns, Stuart Fails to Save the Universe and the ongoing war between two kinds of nerds.

The basic argument was pretty simple.

I do not particularly care if a movie or television show changes something from Issue #147 of a comic book.

Tell me a good story.

Make me believe it.

If you have to move some furniture around to make a character created 50 years ago work in a modern television drama, move the furniture.

Then I watched Stuart Fails to Save the Universe.

And, annoyingly, the comic-book nerds made a pretty good point.

That show works largely because it understands exactly what The Big Bang Theory was, exactly what its fans loved about it and exactly how far it can stretch that universe without snapping the thing in half.

I had underestimated the importance of that.

So I did something extremely generous.

I admitted I was wrong.

Sort of.

I gave the nerds a point.

The exact spirit of the conclusion was basically, “Fine. You win. See you after Lanterns next week.”

Then Lanterns Episode 3 came out.

Oh, you poor bastards.

John Stewart Was Never Supposed to Be This

I am not a comic-book aficionado.

This has been established.

If you want somebody who can tell you what happened in Green Lantern #87 from memory, there are approximately 400,000 YouTube channels available to you.

I had to look it up.

DC’s own history of John Stewart says the Guardians introduced him as a relief Lantern. After Guy Gardner was injured, Hal Jordan was instructed to meet and train John as Earth’s replacement substitute.

John eventually became a full-time Green Lantern, but that came later.

Lanterns looked at that history and apparently said:

Nah.

Episode 3, “OutKast,” rebuilds John Stewart’s relationship with the Green Lantern Corps from the ground up.

Before Abin Sur’s ring ever reaches Hal Jordan, the show reveals that it first seeks out John Stewart Sr.

The ring asks him one question:

Is he afraid?

John Sr. says yes.

And the ring moves on.

John’s mother, Bernadette, immediately sees the problem with this system.

How exactly is it fair to demand absolute fearlessness from a Black husband and father living in America, with a family he has very legitimate reasons to be afraid of losing?

She actually confronts one of the Guardians about it.

The Guardian later tells Bernadette that whatever the ring saw in her husband was part of his genetic makeup.

And that is where things get nuts.

Bernadette and John Sr. begin raising their son with one very specific goal:

If the ring ever comes back, John will be ready.

They school him separately.

They tell him the birds around their house are watching him for the Guardians.

They repeatedly test his ability to control fear.

His father even shoots an apple off his head.

This is childhood trauma as superhero job training.

And it is a radically different path to John Stewart becoming Green Lantern than the one DC originally gave him.

The people making the show know that.

Lanterns promotional still
Lanterns promotional still.

Credit: TMDB / promotional artwork
Promotional artwork
themoviedb.org

Episode writer Vanessa Baden Kelly told TheWrap that the writers were deliberately trying to figure out what it means for a Black man to receive that ring, and TheWrap described this version of John’s origin as unique to the world of Lanterns.

Damon Lindelof described messing with comic canon as something you have to approach like you are “handling plutonium.”

That is an excellent description.

Because comic-book fans will apparently explode.

Here’s the Problem

It works.

Like, really works.

Episode 3 was the first time I stopped seeing John Stewart as the younger Green Lantern who has to put up with Hal being Hal and started seeing exactly why Aaron Pierre’s version of this character is the way he is.

Why is he so controlled?

Why does he obsess over precision?

Why does he seem like somebody who has been preparing for an exam his entire life?

Because he has.

His parents literally raised him for this.

And suddenly his resentment toward Hal makes sense too.

Hal did not train for this.

Hal did not spend his childhood being psychologically conditioned for this.

Hal got the ring.

John believes he earned it.

That makes their relationship considerably more interesting than “old Green Lantern trains new Green Lantern.”

And then the show takes the knife and twists it.

John learns that the Guardians are not simply evaluating him as Hal’s backup.

They want him to replace Hal.

Hal just does not know it yet.

That matters.

Because the entire relationship we thought we were watching changes.

Hal thinks he is training the new guy.

John discovers that the Guardians have been playing a different game.

And suddenly this absurd show about rechargeable space jewelry has an actual emotional engine.

Dammit.

Also, I Think HBO Knows Green Lantern Is Ridiculous

This was my original argument.

Before the great Comic Book Nerd War of 2026.

I liked Lanterns from the beginning.

I just could not take it seriously.

It presents itself like True Detective while its main characters wear magical jewelry that creates enormous glowing fists and has to be recharged with a giant novelty lamp.

You can put as much prestige television lighting around that as you want.

Eventually somebody still has to say the oath.

And I wondered after Episode 2 whether Lanterns understood the joke.

Episode 4 makes me think it does.

The episode is funnier.

Hal and John are getting funnier together.

At one point the two intergalactic space cops are being held by Will Macon when Macon suddenly asks John to draw him naked.

Hal, a man who has traveled through space and seen things I probably do not want explained to me, quietly asks John whether this is weird.

Yes.

Yes, Hal.

It is weird.

Then Sheriff Kerry Kane gets involved.

After getting Hal and John out of Macon’s compound, she hands John an actual gun because she expects Macon’s men to come after them.

Hal does not get one.

According to Kerry, he has his “superhero” abilities.

Lanterns promotional still
Lanterns promotional still.

Credit: TMDB / promotional artwork
Promotional artwork
themoviedb.org

There it is.

That tiny little acknowledgment.

The show knows.

Of course this is ridiculous.

These are two grown men investigating murders in Nebraska with an alien ring that can create giant glowing machinery out of thin air.

You do not have to pretend that isn’t funny in order for the dramatic parts to work.

In fact, Lanterns is getting better because it seems increasingly comfortable admitting it.

And Now the Damn Show Is Getting Really Good

This is the part I did not expect.

I think Lanterns is becoming a really good television show.

Not a really good Green Lantern show.

Not “good for a comic-book adaptation.”

Just good television.

Aaron Pierre and Kyle Chandler have figured out a rhythm together.

The mystery keeps getting stranger.

The John Stewart story suddenly has some real weight behind it.

The show is allowing itself to be funny.

And the relationship between John, Hal and the Guardians is turning into something much more complicated than I expected when this whole thing started.

And America certainly seems to be sticking around.

According to Warner Bros. Discovery figures reported by TheWrap, Episode 3 reached 10 million viewers worldwide and 7 million in the United States during its first three days, both increases from the premiere.

The episode also pushed #Lanterns into X’s U.S. Top 10 for 11 straight hours, including eight hours at No. 1.

As of Sept. 6, Lanterns has also spent 23 days in JustWatch’s U.S. Top 10 television chart and has already reached No. 1.

People are watching this thing.

And I get it.

Because four episodes in, I am not watching Lanterns so I can make fun of Green Lantern anymore.

Okay.

I am still doing that.

Obviously.

But now I actually want Sunday night to get here so I can find out what happens next.

That is a problem.

So Where Does That Leave the Great Nerd War?

I still think the comic-book people had a point about comic book adaptations: Canon matters. History matters.

The things people love about these characters matter.

If you throw all of that away because some producer thinks he can improve something he never understood in the first place, you usually wind up with garbage.

I concede the point.

It remains on the board.

Comic-book nerds: 1.

But Lanterns just took a fundamental part of John Stewart’s comic-book history and substantially rewrote it.

Instead of simply becoming Hal Jordan’s relief Lantern, this John Stewart was raised from childhood to believe the job was his destiny.

The change ties his story into fear, race, family, expectation and the question of whether he earned something Hal simply received.

And I think it produced the strongest episode of the series so far.

Then Lanterns followed it with an episode that got more comfortable laughing at its own ridiculous mythology while somehow making me more invested in that mythology at the same time.

So.

Fine.

I guess that is one point for breaking comic canon.

Comic-book nerds: 1.

Breaking canon: 1.

Nobody kiss my ring yet.

We still have four episodes left.

Watch

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